Most women are living inside stories that were handed to them so early and so completely that the stories feel like air. The stories say she is too much, or not enough. That her worth is fertility. That her ambitions are aggression. That her pleasure is selfish. That her body is a problem to be solved. That aging is a decline to be managed.
The stories contradict each other on purpose. A woman trying to obey contradictory rules is too busy to notice the rules are rigged.
There is nothing wrong with you. There never was. The work is to notice what you were handed, and then to keep the parts that were yours and set the rest down.
Women in their forties, fifties, and sixties are not winding down. We are finally, often for the first time, allowed to begin.
I am a sensualist. I have always been. Most women are.
Most women have a part-time job they never applied for. It runs in the background of every day. Monitoring how she looks, how she sounds, how much space she's taking up, what she ate, what she didn't, whether she's too much, whether she's enough. Decades of cognitive real estate quietly rented out.
She gets it back.
The hours come back first. Then the appetite. Then the body, which has been waiting. Then the taste, the wanting, the quiet, the laugh she had been editing. She walks into rooms with all of herself in them. She is harder to sell to and harder to flatter, not because she is guarded, but because she is full.
She has more of herself to work with. More appetite. More attention. More room. Possibilities arrive because there is finally someone home to receive them. This is the work. Loving what she was told to manage. Taking the seat at the table she was told to be grateful for.
She is someone who lives through her senses. She notices what the world feels like, tastes like, sounds like, smells like, looks like, and she organizes her life around making those experiences good.
The bath water at the right temperature. The sheets that feel like something. The meal eaten slowly. The music that matches the hour. The body she lives in, taken seriously as the instrument of her whole life.
Sex is part of it, because sex is sensory. So is coffee. So is the light at five o'clock. So is the way a good book sits in your lap. So is the cold air on your face the first morning of fall.
Most women are sensualists. They just had it edited out of them. This work is the un-editing. She comes back. The senses come back. The wanting comes back. And underneath all of it, the woman who was there the whole time.
Essays, dispatches, audio drops, and the occasional unfiltered note from inside the becoming. Sent when there's something worth sending. No performance. No funnel. Just the work, beautifully said.